Kimber Myers is a freelance film and TV critic whose bylines have appeared in outlets including The Los Angeles Times, The Playlist, Bustle, and Crooked Marquee. Her day job is at a tech company, and she has also worked at several entertainment-focused startups, building media partnerships, developing content marketing strategies, and arguing for consistent use of the serial comma in push notifications. You can follow her here on Twitter.
By Kimber Myers
Every single Wes Anderson movie ranked, worst to best
From "Bottle Rocket" to "Asteroid City," we pick our favorites. Just like Royal would with the Tenenbaum children.
By Kimber Myers
‘The Front Room’ review: All bile and no substance
Kathryn Hunter’s villain is the hero of this middling — but impressively disgusting — A24 horror film.
By Kimber Myers
The 16 best movies now streaming on Tubi
From cult favorites like "Bubba Ho-Tep" to modern classics like "Lady Bird," Tubi has something for everyone.
By Kimber Myers
'The Garfield Movie' review: A heist flick with daddy issues
Other than his signature craving for lasagna, this version of Garfield bears no resemblance to the classic cat.
By Kimber Myers
The best Robin Williams movies available to watch now
From "Awakenings" to "The Birdcage," Williams made us laugh and cry in equal measure.
By Kimber Myers
The best workout playlist demands these soundtracks and scores
From 'Challengers' to '300' and beyond!
By Kimber Myers
The best movies on Prime Video right now
The ones that make us swoon the second we see the title.
By Kimber Myers
'The Nun II' review: Valak is back — and a bit better
It's no "The Conjuring 2," but this sequel improves on "The Nun."
By Kimber Myers
‘The Equalizer 3’ review: Denzel Washington returns, but why?
This sequel’s formulaic screenplay can’t match the creativity of Antoine Fuqua's kills.
By Kimber Myers
‘Extraction 2’ review: Big, dumb, but not enough fun
An underutilized Chris Hemsworth returns as Tyler Rake.
By Kimber Myers
How eat-the-rich comedies changed during COVID
What do "Glass Onion," "The Menu," and "Triangle of Sadness" reveal about the downfalls of the rich and powerful?
By Kimber Myers